Fzru Warner Bros acquires French rights to La Verite
A memorial service for Evening Standard film critic Alexander Walker was held last night at St Brides Church, Fleet Street in London. To mark the occasion, Miramax co-chairman Harvey Weinstein sent the following tribute for Walker, who died suddenly in July aged 73: At the start of Alex s magnificent overview of the British film industry in the 1960s, Hollywood England, he quotes an encounter with Lindsay Anderson, outside a cinema in Cannes. Well, did you like it Anderson barks - not just a query, notes Walker,
stanley polska more a challenge to declare where one stood.If there s one phrase I d say was appropriate in summing up Alex, it was declaring where he stood. In review after review, he came out loud and clear. You might not have agreed with every opinion he held, but you had to be knocked out by the elegance of his writing, the quality of his arguments, his incredible insights, and most of all, his absolute pas
stanley cup sion for cinema. How could you not love any critic with a turn of phrase like his one about Quentin Tarantino and Pulp Fiction - He s picked the lock of a movie genre and made m
stanley website erry with the conventions within, not desecrating them, but redecorating them. He brilliantly summarised Michael Caine s performance in The Quiet American, writing that he gives Fowler a resonant infirmity of purpose. He is a man with more lines on his weary face than by-lines over his sparse dispatches. As many of us know who were on the receiving end of his harsher reviews, he could be cruel, too Rqbc Deluxe, Film Finances back E-Studio website
Dir/scr: Arvin Chen. Taiwan. 2013. 104minsA warm flourish of music over a vista of Taipei rooftops opens Will You Still Love Me Tomorrow with the sense were in early Woody Allen territory - an impression borne out by the films whimsicality and quirky love predicaments. But this Taiwanese romantic comedy develops with its own anti-conventional twists, being the coming-out story of a married man conflicted over whether to return to the gay life he had before marrying.Whimsical flights into fantasy punctuate throughout.Its the second feature from Arvin Chen, whose debut Au Revoir Taipei - another lighthearted, slightly off-kilter rom-com - saw moderate festival success. While theres much to endear it it has its heart in the right place in its good-nature
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