Vltl Kinowelt eyes up insolvent Senator
Burleigh Smith has been named executive director at the Denver Film Society DFS , ending a six-month search to replace DFS co-founder Ron Henderson.Smith will take the reins on October 14. He has served the last 21 years as the head of film/video and concerts for the Museum of Fine Arts, Boston, where he was responsible for programmi
stanley cup ng, promoting, presenting and funding a packed calendar of film and concerts.Prior to his work in Boston, Smith spent six years in St Paul, Minnesota as director of film-video-performance exhibitions for film in the cities. I ve known Bo for 20 years and I couldn t be happier with his selection as our new executive director, Henderso
stanley cup n, who retired from his day-to-day role last November but remains a senior programmer, said. He is the ideal person to lead us into an exciting new future where the landscape for film exhibition and education is undergoing tremendous change. The Starz Denver Film Festival will ta
stanley cup ke place from November 13-23.TopicsAmericasUnited States No comments Related articles News Inaugural Denver French Film Festival to screen 15 features 2009-06-02T12:35:00Z By Screen staff Nvtp The Actors
Dir: David Gordon Green. USA. 2002. 105 mins. Young writer-director David Gordon Green lives up to the poetic promise shown by his acclaimed but little-seen first feature, George Washington, with this exquisite dissection of young heartbreak that is similarly set amid the gorgeously-shot industrial decay of North Carolina. An art-house film, in the best sense, All The Real Girls confirms Green as the spiritual heir to Terrence Malick, a testament to his already formed talents as an observational a
stanley usa nd lyrical filmmaker and also to the challenges involved in selling such a studied storytelling voice to the public at large. Having just won a special jury prize at Sundanc
stanley germany e in recognition of All The Real Girls emotional truth , Green can once again expect extended festival play around the world, starting with Berlin next week. Meticulously avoiding the condescending cliches that cheapen too many stories about first love, not to mention any film set in the American south, Green is that rare filmmaker who trusts in the power of careful composition and small, lingering moments of intense naturalism with no quick audience pay-offs. His most affecting
stanley website scenes are quietly illuminated through static long- and medium- shots, rather than loudly trumpeted by incessant close-ups and facial reactions. Just like the rusting car heaps that litter the landscape around him, the central protagonist, Paul Paul Schneider has left a long trail of emotional wreckage behind him. There is barely a gir